Someone said, “If you like Dan Brown, you’ll like this.” They were wrong. I like Dan Brown, but I loved this. I did really enjoy this book for several reasons.
First, the plot was fantastically intriguing. Three seemingly unrelated incidents happen to different people in different parts of Venice. The author then skilfully takes us on a journey where we are invited to link the incidents together and use that knowledge to resolve the ending. What I particularly liked is that, for the most part, it seemed credible. The plot doesn’t depend on anything that stretched the imagination beyond reason, and its complexity keeps you on your toes right to the end.
The second reason for enjoyment was that unlike some novels that race across the world and back, this book, for the most part, was firmly grounded in Venice (despite the fact that Venice is sinking). The stink of the city was both literal and metaphorical. It provides a reinforcing backdrop to the corruption and crime in the place involving the police, the mafia, the church, the criminals, and the spies. But the reality of the city also gave space for the reader to pause and enjoy, and to learn about Venetian life. It gave time for the characters to eat at the restaurants, and to occasionally make love. And of course, the duplicity of the Venetian mask also provided another overarching metaphor for the plot.
Thirdly, and partly related to my previous point, I enjoyed the detail which gave the text a convincing authority. For example, we learn about the influence of the Mafia on the city, the techniques used by people traffickers, the protocols for paperwork on a US military base, the operation of drones, the Italian justice system, some of the conventions used by computer hackers. I knew I was reading a novel, but for the most part, the detail encouraged me to believe wholeheartedly in the world I was being invited to inhabit. The book was interesting.
My fourth reason for enjoyment was the flesh that the author gave to the main characters. I cared about them. I enjoyed watching their relationships develop. They weren’t cardboard cut-outs, but were “real” people capable of subtle feelings and interaction. The female detective was interestingly different. I really wanted them to be ok.
The reasons I gave this four stars and not five are for two minor reasons. First, I have read all of Dan Brown and most of Scott Mariani and one of the things I really dislike about their novels is that they sometimes have to employ completely unrealistic solutions to getting their characters out of plot conundrums that they have written them into (survival despite being ridiculously outnumbered, for example). Personally, I was unconvinced by how the author got two of his characters back to Venice after they had briefly left it. It didn’t seem credible to me, and was a weakness.
Secondly, I was invited to care for a major character for most of the book, and the relationship that he was forming, and then this person was summarily dismissed towards the end. I felt very let down. Perhaps this thread will be picked up in a future novel.
This book was first published under the title “The Abomination” and is the first is the author’s Carnivia Triology.